Stan Douglas, Abbott and Cordova, 7 August 1971 , 2008, C-print photographFrom www.davidzwirner.com
Douglas has made work about the neighbourhood in the past, in projects like the recombinant narrative film Win, Place or Show about a never-realized social housing project in Strathcona and the massive Every Building on 100 West Hastings panorama, but this is (arguably) his first staged photograph using human subjects, which makes it pretty unusual. Its huge scale and prominent public display have also made it the centre of recent articles in The Globe & Mail and The Vancouver Sun. So far public reactions to it seem positive, but that might be because of the general public disdain for the Vancouver Police Department after years of anti-demonstration, pepper spray, and taser-related incidents.
Stan Douglas, Every Building on 100 West Hastings, 2001, C-print photograph
A small-scale version of Abbott and Cordova is on view at David Zwirner, along with other photographic studies that informed the final image, in the exhibition "Humour, Irony and the Law" until Dec. 23. More information can be found here.
The full-scale version debuts at the new Woodward's building in Vancouver some time in June.
Edit: Vancouver's multi-talented CJB has also weighed in on Douglas' new photograph here (his analysis also includes a quick nod to Jeff Wall's "Liquid Intelligence" essay - apparently the theme of the week).
Stan Douglas, Every Building on 100 West Hastings, 2001, C-print photographA small-scale version of Abbott and Cordova is on view at David Zwirner, along with other photographic studies that informed the final image, in the exhibition "Humour, Irony and the Law" until Dec. 23. More information can be found here.
The full-scale version debuts at the new Woodward's building in Vancouver some time in June.
Edit: Vancouver's multi-talented CJB has also weighed in on Douglas' new photograph here (his analysis also includes a quick nod to Jeff Wall's "Liquid Intelligence" essay - apparently the theme of the week).
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It's so interesting to me that this is going to be a piece of public art. Usually such stuff is so staid. It's great to see something that relates to a more contentious history of the neighbourhood.
ReplyDeleteWhat would a TO equivalent be, I wonder?
A lot of the public reactions to it have also been in that vein: that it's strange but a welcome relief to see public art that actually seems to "say" something about the neighbourhood where it's located. The Woodward's redevelopment has often been less than smooth, but kudos should go to Ian Gillespie, the head of the development project, for sticking his neck out by commissioning the project.
ReplyDeleteI'm not well-versed enough in Toronto police history to know what the equivalent would be. The VPD has a certain... reputation for dealing with otherwise peaceful protests in a not-so peaceful way.